OUT OF SIGHT
RATING: 7.5 / 10 --> Re-watchable
Review
Date:
July 18, 1998
Director:
Steven Soderbergh
Writer:
Scott Frank (based on Elmore Leonard's novel)
Producers:
Danny DeVito, Michael Shamberg and Stacey Sher
Actors:
George Clooney as Jack Foley
Jennifer Lopez as Karen Sisco
Ving Rhames as Buddy Bragg
Genre:
Crime
Year of Release: 1998
Steven Soderbergh takes a shot at another one of Elmore Leonard's
famous crime novels. He follows the recent footsteps of Quentin
Tarantino with JACKIE BROWN (6.5/10) based on Leonard's "Rum
Punch", Paul Shrader's TOUCH (5/10) and Barry Sonnenfeld's
GET SHORTY (7.5/10). Soderbergh is best known for his
award-winning debut film SEX, LIES AND VIDEOTAPE (Winner of the
Palme D'or at the 1989 Cannes Film Festival.) Since then, he
hasn't done anything of great interest.
PLOT:
Extreme bank-robber Foley falls into another caper with partner
Buddy, and a host of other lowlifes after his recent stint in the
big house. During his escapades, he meets US Marshal Sisco, who
takes a liking to this con man, who in turn, falls for the
luscious government agent.
CRITIQUE:
Great crime picture, with interesting performances, unique style
and an intertwining, captivating plot. This movie comes closest
to PULP FICTION (7.5/10) in its style and feel, and definitely
delivers on the appeal elements more successfully than
Tarantino's over-character-developed film JACKIE BROWN. Mind you,
this movie does lack the hipper-than-thou dialogue that was
sprinkled throughout PULP FICTION, but even still, it manages to
pull off a great addition to the crime genre. It's got its
thrilling moments, its funny moments, and even its sexy moments.
Like PULP FICTION, the plot goes back and forth through time, but
it is never confusing, and never gets in the way of the
interesting crime-ridden plot line.
The characters are real, or at least feel real, and the
developing relationship between the two leading antagonistic
characters is well-done and believable. Soderbergh's shooting
style is slick, and reminiscent of some of the best '70's
exploitation movies, as well as the soundtrack which comes
through like the era left behind, but the sounds not forgotten.
All of the stars are great in their roles, with exceptional marks
to Clooney (who's finally beginning to "act") and
Lopez, who comes through in sexy gangbusters! Also, both stars
are extremely "easy on the eyes", with a tip of the hat
to Clooney for getting in such excellent shape for this flick (my
brother noted that you could bounce a quarter off his
well-developed six-pack stomach). Also, Jennifer Lopez is both
sexy and gorgeous. But did I mention that already?
On the down side, I did find the film to be a little too long on
its running time, but that's about all that I could say on that
in regards to negativity. Add to that, the superior
cinematography of the film, especially during the winter shots in
Detroit which were particularly well-shot, and you've got
yourself a great story, told in an original manner, with two
great-looking and interesting leading characters, and a plot that
always keeps you guessing. Top that off with a couple of cool
cameos, and a slick directorial style, and you've got yourself a
nacho-munching cinematic extravaganza for the summer.
Little Known Facts:
Three stars from PULP FICTION also show up in this film.
Michael
Keaton's character
from JACKIE BROWN makes an appearance in this film as the same
character he played in the former.
Soderbergh wrote the screenplay to
NIGHTWATCH, and also had a hand in the written form of MIMIC
(6.5/10).
Jennifer
Lopez was one of the
"Fly girls" dancers on the "In Living Color"
TV Show. At the movie wrap party for SELENA, on Oct. 28 1996 in
San Antonio, Jennifer's boyfriend Ojani Noa grabbed a microphone
and proposed to her in the middle of the dance floor, presenting
her with a large marquis-cut diamond ring. She said 'yes'.
Nancy
Allen of "Brian
DePalma's wife for four years" fame, and star of DePalma's
BLOW OUT (7/10) and DRESSED TO KILL (7/10), plays Midge in this
film.
(c) 1998 Berge Garabedian
Movie Reviews by Berge Garabedian