THE REPLACEMENT KILLERS
RATING: 6.5 / 10 --> So-so
Review Date:
August 9, 1998
Director:
Antoine Fuqua
Writer:
Ken
Sanzel
Producers:
Bernie Brillstein and Brad Grey
Actors:
Chow
Yun-Fat as John Lee
Mira Sorvino as Meg
Coburn
Michael Rooker as Stan "Zeedo" Zedkov
Genre:
Action
Year of Release: 1998
Chow Yun-Fat makes his American movie debut in a
shoot 'em up Hong Kong-themed action thriller co-starring Quentin
Tarantino's main squeeze from the days of shooting, Mira Sorvino.
This film is also the first for music-video director (see Little
Known Facts below) gone movie director Antoine Fuqua.
PLOT:
Hitman Lee (Yun-Fat) must kill a police officer's son for his
gangster boss Mr. Wei. Before he kills the child, he develops a
conscience, and skips his task of murder. Mr. Wei is not happy
with his killer employee, and sends in some "replacement
killers" to finish him off, as well as the cop's kid. Lee
must do battle with other killers, while attempting to return
home to his endangered family in China, with the assistance of
passport forger Coburn (Sorvino).
CRITIQUE:
Do you like guns? Do you like the gunplay? If your answers to the
previous two questions were a resounding "yes", then I
suggest you get up off your ass, jog over to your nearest video
store, and rent this gun smokin' fun-fest! If you're one that
enjoys the plot of a movie, the deep characterization of man and
woman, and the existential meaning of life, then I suggest you
remain seated, and move onto another review. This
bullet-emblazoned film is all noize and explosions, and anything
but stimulus for your cerebral matter.
This movie is also filmed like a MTV music video, with the
required hip eclectic soundtrack, a dark moody look with sporadic
use of green and red filters, and the obligatory Tony Scott-famed
rainfall. It also boasts the required short runtime (less than 90
minutes- flat), an extreme use of slo-motion when the bullets and
the bodies are a-flyin', and the less than impressive emphasis on
plot. If there was a plot, that is. Oh yeah, hitman develops
conscience: Now, let's kill hitman. Slap in some Sorvino running
around in a bra for most of the film, and you've got yourself a
nacho-munching fool-fest for all those willing to drop their
brains off at the door (Guilty as charged.)
Yun-Fat's rookie American performance is also pretty lame in this
movie, with his entire dialogue based around three word monotone
sentences. Michael Rooker as the good cop plays Michael Rooker as
the good cop, and the rest of the cast is basically just a heap
of bodies to be counted later. Did I mention that there were a
lot of gunfights? In the tradition of the master himself, John
Woo (co-executive producer on this one), Fuqua also wastes no
time in between gunplay scenes. Fat walks into a hotel. Gun
fight. Fat walks into an arcade. Gun fight. Fat walks into a car
wash. Gun fight. Highly stylized gunfights mind you, but
perpetual gunfights nonetheless. All in all, this is the kind of
stuff that seems to be receding our kids into the lobotomous
zones that we recognize them in sometimes. On the other hand, if
this is your taste of salsa, don't let me stand in the way of a
man, his cheese and his monster bag o' nachos!
Little Known Facts:
Mira Sorvino is the daughter of actor Paul Sorvino (Mob-boss Paul from
GOODFELLAS (9/10).) She won an Academy Award for Best Supporting
Actress for Woody Allen's 1995's MIGHTY APHRODITE (6.5/10). She dated director Quentin Tarantino
for two years, and he even named one of his production companies
Mighty Mighty Afrodite Productions in her honour. Mira graduated
from Harvard University in 1990, with a major in East Asian
Studies. She speaks fluent Mandarin Chinese.
Director Antoine Fuqua is famous for directing Coolio's "Gangsta's
Paradise" music video, as well as Prince's (or the
Artist Formerly Known as a Loser) "The most beautiful girl
in the world".
Chow Yun-Fat has won the Hong Kong Academy "Best Actor"
Awards three times for A BETTER TOMORROW in 1987, CITY ON FIRE
(7.5/10) in 1988 and ALL ABOUT AH LONG in 1990. He was born in
Hong Kong in 1955.
(c) 1998 Berge Garabedian